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Oster-Oratorium BWV 249
Kommet, eilet und laufet |
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Ref. |
BWV 249 |
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German Title |
Kommet, eilet und laufet [Oster-Oratorium] |
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Latin Title |
Oratorium Fest Paschali |
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English Title |
Come, hasten and run [Easter Oratorio] (by Richard Stokes) |
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French Title |
Venez, hâtez-vous et courez [Oratorio de Pâques] |
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Spanish Title |
Venid, apresuraos y corred [Oratorio de Pascua] |
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Event |
Oratorio for Easter Sunday
Readings: Epistle: 1 Corinthians 5: 6-8; Gospel: Markus 16: 1-8 |
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Composed |
Leipzig, 1725. Originally composed as Secular Cantata for Birthday BWV 249a; The same music was used for Oster-Oratorium BWV 249.
1st performance: April 1, 1725 - Leipzig
2nd performance: 1738 - Leipzig
3rd performance: 1743-1746 - Leipzig
4th performance: April 6, 1749 - Leipzig |
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Text |
Christian Friedrich Henrici (Picander) ? |
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German Text | German-2 | Translations: Dutch-1 | English-1 | English-3I | English-3P | English-10 | French-6 | Hebrew-1 | Hebrew-2 | Hebrew-3 | Indonesian | Italian | Russian-1 | Spanish-2 | Spanish-7 |
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Scoring |
Soloists: Soprano, Alto, Tenor, Bass; 4-part Chorus
Orchestra: 3 trumpets, timpani, 2 oboes, oboe d’amore, bassoon, 2 recorders, transverse flute, violins, basso continuo
Mvt. 1: Sinfonia | Mvt. 2: Adagio | Mvt. 3: Aria (Duet) | Mvt. 4: Recitative | Mvt. 5: Aria | Mvt. 6: Recitative | Mvt. 7: Aria | Mvt. 8: Recitative | Mvt. 9: Aria | Mvt. 10: Recitative | Mvt. 11: Chorus |
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Score BGA [6.22 MB] |
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References |
BGA: XXI/3 | NBA: II/7 | BC: D 8 | Zwang: K 115 | First Published: BG, 1874 | Autograph score (fascimile): Berlin, Staatsbibliothek |
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Commentary |
Crouch | AMG | M. Carter | Mincham | EvH [Dutch] |
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Music |
Muic Examples |
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Discussions |
July 1999; Week of March 31, 2002; Week of June 13, 2010 |
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Bach Festival 41st Annual Baldwin-Wallace College: Fourth Concert [V-7] |
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Oster-Oratorium BWV 249 |
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George Poinar |
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Baldwin-Wallace Festival Chamber Orchestra; Baldwin-Wallace Festival Chorus. |
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Soprano: Gretchen D'Armand; Mezzo-soprano: Grace Reginald-Scott; Tenor: Seth McCoy; Bass: Bruce Abel
Jean Clymer (Piano); Warren Berryman (Organ); Esther Pierce (Violoncello); Charles Lawson |
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Baldwin-Wallace College Conservatory of Music |
1973 |
MC / TT: |
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Recorded live at Baldwin-Wallace College, Berea, Ohio, USA. |
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Sacred Music by Bach and Concertos by Bach & Telemann [C-9] |
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Oster-Oratrium BWV 249: Aria (Peter, tenor) [7:18], Recitative (The Two Marys) [1:03], Aria (Mary Magdalen, counter-tenor) [6:03], Adagio [3:21] |
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Dale Higbee |
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(OVPP - No Choir) / Carolina Baroque |
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Counter-tenor: Bradley Fugate; Tenor: Glenn Siebert |
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Carolina Baroque |
Mar 2005 |
TT: |
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Recorded live at the Chapel of St. John's Lutheran Church, Salisbury, NC, USA.
Buy this album at: Carolina Baroque |
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Richard Burdick, horn, performs J. S. Bach’s Easter Oratorio, BWV 249 |
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Double French Horn: Richard Burdick |
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I Ching Music |
Jan-Feb 2006 |
CD / TT: 45:12 |
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This is a multi track recording, All tracks performed by Richard Burdick on his Double French horn made by Dietmar Dürk. R. Burdick read from the original score while recording. Each part from the flute to the basso continuo was played at written pitch, reading the score as if it were written for F horn. The range of this composition is from Pedal C to high e (for horn in F) with countless notes above high C . Recorded at A = 440 hertz.
Buy this album at: Amazon.com |
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J.S. Bach: Osteroratorium, BWV 249; Himmelfahrtsoratorium, BWV 11 [U-3] |
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Oster-Oratorium BWV 249 [39:30] |
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Philippe Herreweghe |
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Collegium Vocale Gent |
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Soprano: Dorothee Mields; Counter-tenor: Damien Guillon; Tenor: Jan Kobow; Bass: Stephan MacLeod |
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Rapidshare |
May 16, 2008 |
CD / TT: 70:05 |
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Recorded during "Lufthansa Festival of Baroque Music 2008" at St. John's Smith Square, London, England.
Source/lineage: digital FM Broadcast > Soundcard > Gramofile > Audacity > Switch Broadcasted by the Austrian radiostation Oe1
2nd recording of Oster-Oratorium BWV 249 by P. Herreweghe.
Download this recording from Rapidshare: CD |
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