Born: December 7, 1927 - Milford Haven, Pembrokeshire, Wales, UK

The admired Welsh contralto, Helen (Josephine) Watts, first became interested in singing while she was at the Abbots Bromley School in Staffordshire and Ernest Read, the school’s music director, persuaded her to go to the Royal Academy of Music to take up singing and piano. There she studied for four years with Caroline Hatchard and won a number of prizes. On leaving the Academy she continued studying, with Frederic Jackson.

Helen Watts began her career singing in the Glyndebourne Festival Chorus and the BBC Chorus in London. Her first professional engagements were broadcasts on the Welsh Home Service and she was soon a regular broadcaster on all services of the BBC. These broadcasts led to concert engagements in London and throughout the provinces. Her first appearance as a soloist was in 1953. In 1955 she made her first appearance at the London Promenade concerts singing Bach arias under Malcolm Sargent’s direction. She quickly won her a reputation as one of the finest British contraltos and distinguished herself as a concert artist. Thereafter she appeared in principal European and North American music centres.

Helen Watts also pursued an operatic career. In 1958 she made her operatic debut as Didymus in Theodora with Händel Opera Society at the Camden Festival, and continued to appear with the Society until 1964. In 1964 she made her debut at the Salzburg Festival as the 1^st maid in Elektra and toured Russia with the English Opera Group as Britten’s Lucretia. She made her first appearance at London’s Covent Garden as the 1^st Norn in Götterdämmerung in 1965, and continued to sing there until 1971. In 1966 she made her USA debut in Delius’ A Mass of Life in New York. She sang Mistress Quickly at her first appearance with the Welsh National Opera in Cardiff in 1969, where she was a leading member of the company until 1983.

In 1978 Helen Watts was made a Commander of the Order of the British Empire. While she had success in opera, she particularly excelled as a concert artist. Her concert repertoire extended from Bach to the masters of the 20^th century.

Source: Liner notes to the album ‘Wagner: Die Walküre’ conducted by Georg Solti (London, 1966); Baker’s Biographical Dictionary of 20^th Century Classical Musicians (1997)
Contributed by Aryeh Oron (May 2001)

Recordings of Bach Cantatas & Other Vocal Works

Conductor

As

Works

Ernest Ansermet

Alto

BWV 45, BWV 67, BWV 105, BWV 130; Duet from BWV 101

Benjamin Britten

Alto

BWV 151

Thurston Dart

Alto

BWV 53, BWV 54, BWV 200, Aria from BWV 244

Nikolaus Harnoncourt

Alto

BWV 232

Geraint Jones

Alto

BWV 147, BWV 243

Jürgen Jürgens

Alto

BWV 198

Otto Klemperer

Alto

BWV 244

Philip Ledger

Alto

BWV 243a

Karl Münchinger

Alto

BWV 10, BWV 232, BWV 243, BWV 248, BWV 249

Helmuth Rilling

Alto

BWV 2, BWV 7, BWV 8, BWV 12, BWV 22, BWV 23, BWV 24, BWV 33, BWV 34, BWV 38, BWV 44, BWV 46, BWV 60, BWV 62, BWV 76, BWV 77, BWV 83, BWV 86, BWV 89, BWV 90, BWV 91, BWV 92, BWV 99, BWV 101, BWV 105, BWV 111, BWV 115, BWV 116, BWV 122, BWV 123, BWV 124, BWV 126, BWV 132, BWV 134, BWV 135, BWV 136, BWV 139, BWV 144, BWV 147, BWV 148, BWV 163, BWV 166, BWV 173, BWV 178, BWV 186, BWV 190, BWV 243

Jaap Schröder

Alto

BWV 27, BWV 89, BWV 90, BWV 161

Johannes Somary

Alto

BWV 11, BWB 80, BWV 232

David Willcocks

Alto

BWV 245

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