|
Short Biographies: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Explanation | Acronyms |
|
Short Biographies: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Explanation | Acronyms |
Hilde Rössel-Majdan (Contralto)
Born: January 21, 1921 - Moosbierbaum, Austria
The Austrian contralto, Hilde (Hildegard) Rössel-Majdan (sometimes spelled Rössl-Majdan), was the daughter-in-law and student of the bass Karl Rössel-Majdan. She was educated at the Vienna Academy of Music.
Hilde Rössel-Majdan began her career as a concert alto in 1946. In 1947 she substituted for the soloist who was sick in a performance of the Matthäus-Passion (BWV 244) in Vienna under Wilhelm Furtwängler and had a brilliant success. In 1950 she heeded a call to the Vienna State Opera, of which she remained a member for over 20 years. Guest appearences in La Scala, Covent Garden, and in many other great theaters took a very successful course. With the same success she sang at the Festivals of Salzburg, Edinburgh, and Aix-en-Provence. In Salzburg she appeared in 1954-1955 as Dryad in Ariadne auf Naxos and in 1958 as Lukrezia in Pfitzner’s Palestrina, in 1960 as Annina in Strauss’ Rosenkavalier, and Marcellina in Mozart’s Le Nozze di Figaro, and additionally in numerous concerts. As oratorio and Lieder singer she had a most successful career in the music centers of Germany, Austria, and Italy. Later she worked in the Conservatory of Graz (until 1972) as a sought after singing teacher, and then at the Vienna Academy of Music.
Hilde Rössel-Majdan sang on many labels, inter alia, Nixa (Matthäus-Passion (BWV 244)), Decca (Strauss' Rosenkavalier, Frau ohne Schatten, Ariadne auf Naxos, Le Nozze di Figaro, Die Zauberflöte), RCA-DGG (Beethoven’s 9th), EJS (Rienzi), HMV (Mahler’s 2nd), Melodram (P. Cornelius Barbier von Bagdad), RAI-Electrola (complete Walküre, Rome 1952).
Personal note (by Yoël L. Arbeitman) Once again Operissimo does not begin to tell us much about this great singer. And indeed I couldn't find her there as they have her under Rössel-Majdan. I have heard her two recordings of the Matthäus-Passion (BWV 244) (Hermann Scherchen and Mogens Wöldike), her various Bach Cantata recordings which are peerless to me as well as her Mahler 2nd under Otto Klemperer (studio and live). The preceding group I have owned forever. Recently I have heard her Grieg "Songs" and the Dvorák’s Biblische Lieder and her Franz Lieder (all three rare LP's at a friend's) and I heard her in person in Vienna as the Dritte Dame in Die Zauberflöte in 1965.
Source: Operissimo. English Translation by Yoël L. Arbeitman (February 2001)
Contributed by
Hilde Rössel-Majdan
: Short Biography | General Discussions|
Recordings of Bach Cantatas & Other Vocal Works |
||
|
Conductor |
As |
Works |
|
Under her name |
Alto |
|
|
Alto |
BWV 244 (1st Part) |
|
|
Alto |
||
|
Gottfried Preinfalk |
Alto |
|
|
Alto |
||
|
Alto |
||
|
Alto |
||
|
Links to other Sites |
|
|
Rössel-Majdan, Hilde (AEIOU) [German] |
|
|
Short Biographies: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Explanation | Acronyms |
Last update: ýMay 21, 2005 ý23:30:12