|
|
Cantata BWV 207a
Auf, schmetternde Töne der muntern Trompeten |
|
Ref.: |
BWV 207a; BC G 22 |
|
German Title: |
Auf, schmetternde Töne der muntern Trompeten |
|
English Title: |
Come, resounding tones of merry trumpets (by Richard Stokes) |
|
Event: |
Secular Cantata for Elector Augustus III’s Birthday [Drama per Musica] |
|
Composed: |
Leipzig, 1735 ?
1st performance: August 3, 1735 ? or a year before or after - Leipzig |
|
Text: |
Anon [Christian Friedrich Henrici (Picander) ?] |
|
BWV 207a Text:
German-1
| German-6
| German-7
Translations:
English-1
| English-6
| English-10
| English-13
Catalan-1
| Dutch-0
| French-4
| French-6
| Spanish-7
|
|
Scoring: |
Soloists: Soprano, Alto, Tenor, Bass; 4-part Chorus
Orchestra: 3 trumpets, timpani, 2 transverse flutes, 2 oboes d’amore, tenor oboe (taille), bassoon, strings, continuo
Mvt. 1: Chorus | Mvt. 2: Recitative | Mvt. 3: Aria | Mvt. 4: Recitative | Mvt. 5: Aria (Duet) | M5a: Ritornello | Mvt. 6: Recitative | Mvt. 7: Aria | Mvt. 8: Recitative | Mvt. 9: Chorus | Mvt. 10: Marcia |
|
Scores: |
BWV 207a Scores:
Score BGA Anh [0.44 MB]
| Score BGA [1.86 MB]
Autograph Score (Facsimile):
D-B Mus. ms. Bach P 174
| D-B Mus. ms. Bach St 93, Faszikel 2
| D-B Mus. ms. Bach St 347 [Bach Digital]
|
|
References: |
BWV 207a=BWV 207.2 References:
BGA: XX/2, XXXIV | NBA: I/37 | BC: G 22 | Zwang: W 18
| First Published: BG, 1873
| Autograph score (fascimile): Berlin, Staatsbibliothek
| The Marche movement in BWV 207 and BWV 207a [PDF]
| Bach Digital
|
|
Commentaries: |
BWV 207a Commentaries:
English:
Crouch
| All Music
| Mincham
| NBV-AOB
Nielsen [Danish]
| EvH [Dutch]
| GO [Dutch]
| Reyes [Spanish]
|
|
Music: |
Music Examples |
|
Discussions: |
Week of April 28, 2002; Week of February 17, 2008; Week of September 29, 2013; Week of July 15, 2018 |
|
2 |
J.S. Bach Secular Cantatas BWV 206 & 207a [C-1] |
|
|
Cantata BWV 207a [29:33] |
|
Frieder Bernius |
|
Kammerchor Stuttgart / Concerto Köln |
|
Solists: Soprano: Ruth Ziesak; Alto: Michael Chance; Tenor: Christoph Prégardien; Bass: Peter Kooy
KCS: Sopranos: Katharina Harjung, Annette Klär, Gudrun Lauffer, Elisabeth Rave, Sibylla Rubens, Annette Schneider, Mona Spägele; Altos (Counter-tenors): Detlef Bratschke, Werner Buchin, Joachim Dreher, Roland Kunz, Meindert Zwart; Tenors: Martin Bochinger, Beat Duddeck, Pascal Mayer, Kristian Sørensen, Hans-Joachim Weber; Basses: Martin Callenius, Reinhard Krämer, Rudolf Preckwinkel, Bernhard Richter, Adolph Seidel
CK: Violins 1: Werner Ehrhardt [Leader], Sylvie Kraus, Jörg Buschhaus, Gabriele Nußberger, Bettina von Dombois; Violins 2: Andrea Keller, Antje Engel, Cynthia Romeo, Rainer Ullreich; Violas: Christine Angot, Stephan Sieben, Antje Sabinski; Violoncellos: Werner Matzke, Nina Diehl; Violone: Jean-Michel Forest; Transverse Flutes: Cordula Breuer, Martin Sandhoff, Michael Schmidt-Cassdorf; Oboes: Michael Niesemann, Alison Gangler, Katharina Arfken; Bassoon: Norbert Kunst; Trumpets: Crispian Steele-Perkins, David Blackadder, Philip Bainbridge; Timpani: Wolfgang Lindner; Harpsichord: Gerald Hambitzer |
|
Sony Classical SK-46492
= |
Sep 19-26, 1990 |
CD / TT: 66:51
MP3 / T: 66:34 |
|
Recorded at Evangelische Kirche, Gönningen, Baden-Württemberg, Germany.
Producer: Wolf Erickson; Recording Engineer/Editing: Andreas Neubronner.
Buy this album at:
CD-1 (1991): Amazon.com | Amazon.co.uk | Amazon.de
CD-2 (1991): Amazon.com | Amazon.co.uk | Amazon.de
CD-3 (2006): Amazon.com | Amazon.co.uk | Amazon.de
Music Download: Amazon.de |
 |
|
6 |
Bach: Secular Cantatas, Vol. 9 - The Contest between Phoebus and Pan (BWV 201, 207a) |
|
|
Cantata BWV 207a [32:54] |
|
Masaaki Suzuki |
|
Bach Collegium Japan |
|
Soloists: Soprano: Joanne Lunn; Counter-tenor: Robin Blaze; Tenor: Nicholas Phan; Bass: Dominik Wörner
Kiyomi Suga (Transverse Flute); Masamitsu San'nomiya (Oboe / Oboe d'amore)
Chorus: Sopranos: Joanne Lunn, Minae Fujisaki, Aki Matsui, Eri Sawae; Altos: Robin Blaze, Hiroya Aoki, Tamaki Suzuki, Chiharu Takahashi; Tenors I: Katsuhiko Nakashima, Tai-ichiro Yasutomi; Tenors II: Nicholas Phan, Yusuke Fujii; Basses I: Christian Immler, Chiyuki Urano; Basses II: Dominik Wörner, Yusuke Watanabe
Orchestra: Trumpet I: Jean-François Madeuf; Trumpet II: Joël Lahens; Trumpet III: Hidenori Saito; Timpani: Atsushi Sugahara; Transverse Flute I: Kiyomi Suga; Transverse Flute II: Liliko Maeda; Oboe I / Oboe d'amore: Masamitsu San'nomiya; Oboe II / Oboe d'amore II: Go Arai; Taille: Ayaka Mori; Violins 1: Ryo Terakado [Leader], Natsumi Wakamatsu, Yuko Araki; Violins 2: Azumi Takada, Yuko Takeshima, Ayaka Yamauchi; Violas: Hiroshi Narita, Akira Harada
Continuo: Violoncello: Toru Yamamoto; Violone: Takashi Konno; Bassoon: Kiyotaka Dosaka; Harpsichord: Masaaki Suzuki, Masato Suzuki |
|
BIS SACD-2311
= |
Sep 2016 |
SACD / TT: 80:53
MP3 / TT: 80:44 |
|
Recorded at Kobe Shoin Women’s University Chapel, Japan.
Producer: Thore Brinkmann (Take5 Music Production); Sound Engineer: Matthias Spitzbarth; Tuning: Akimi Hayashi; Post-production: Editing & Mixing: Thore Brinkmann; Executive Producer: Robert von Bahr.
Buy this album at:
CD (2017): Amazon.com | Amazon.co.uk | Amazon.de | ArkivMusic
Music Download: Amazon.com | Amazon.co.uk | Amazon.de | iTunes |
|
The list of recordings was compiled by Aryeh Oron (March 2002 - August 2024)
Thanks to contributors: Wayne Davies (August 2006); Rainer Harald (August 2024); Leslie Masters (August 2010); Peter Schmidt (May 2005) |
|
|
