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Chorales BWV 250-438: Details and Recordings
Individual Recordings: Hilliard - Morimur | Chorales - N. Matt | Chorales - H. Rilling | Preludi ai Corali - Quartetto Italiani di Viola Da Gamba
Discussions: Motets & Chorales for Events in the LCY / Chorales by Theme | General Discussions: Part 1 | Part 2 | Part 3 | Part 4 | Chorales in Bach Cantatas: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Passion Chorale
References: Chorales BWV 250-300 | Chorales BWV 301-350 | Chorales BWV 351-400 | Chorales BWV 401-438 | 371 4-Part Chorales sorted by Breitkopf Number | Texts & Translations of Chorales BWV 250-438
Chorale Texts: Sorted by Title | Chorale Melodies: Sorted by Title | Explanation
MIDI files of the Chorales: Cantatas BWV 1-197 | Other Vocal Works BWV 225-248 | Chorales BWV 250-438
Articles: The Origin of the Texts of the Chorales [A. Schweitzer] | The Origin of the Melodies of the Chorales [A. Schweitzer] | The Chorale in the Church Service [A. Schweitzer] | Choral / Chorale [C.S. Terry] | Hidden Chorale Melody Allusions [T. Braatz] | The History of the Breitkopf Collection of J. S. Bach’s Four-Part Chorales [T. Braatz] | The World of the Bach Chorale Settings [W.L. Hoffman]
Hymnals: Hymnals used by Bach | Wagner Hymnal 1697 | Evangelisches Gesangbuch 1995 | Dietel Chorale List c1734
Abbreviations used for the Chorales | Links to other Sites about the Chorales


Chorale Texts used in Bach's Vocal Works
Wir glauben all an einen Gott
Text and Translation of Chorale

Ref. in hymnals/hymn books: NLGB 174; EG 183; KGUG 37
Author: Martin Luther (1524), based on the Apostles’ Creed
Chorale Melody: Wir glauben all an einen Gott (Zahn 7971) | Composer: Martin Luther (Wittenberg 1524), based on a 15th century melody
Theme: Liturgy

Description:

"Wir glauben all an einen Gott" (We all believe in one God) is a Lutheran hymn, a paraphrase of the creed, by Martin Luther and first published in Johann Walter's chorale hymnal Eyn geystlich Gesangk Buchleyn. It was used in several musical settings, including Kleine Geistliche Konzerte I, SWV 303, by Heinrich Schütz, and J.S. Bach's Clavier-Übung III, BWV 680 and 681.
Source: Wikipedia (May 18, 2018)

Credo: “Wir glauben all”
The centerpiece of the Latin Mass Ordinary and the Deutsche Messe are the “Credo in unum Deum” and M. Luther’s “Wir glauben all an einem Gott” (We all believe in one God). For M. Luther, his setting replaced the Latin version as a theological statement used in the Mass following the Gospel, as a Catechism teaching song, and during the Deutsche Messe as a communion hymn (texts, http://www.musicanet.org/robokopp/Lieder/wirglaub.html, http://www.musicanet.org/robokopp/hymn/weallbel.html). M. Luther’s setting from pre-Reformation German sources (Bighley, Ibid.: 252) and found in a Bresalau manuscript in 1417, M. Luther’s version is based on the Apostles Creed with theological inflections as catechism teaching, first published in Chorgesangbuch (Wittenberg, 1524). It is found in the 1682 NLGB as No. 174 (Zahn 7911, Wackernagel III: 16). Known in English as “We all believe in one true God,” it is found in the unison setting in the current Evangelical Lutheran Worship as No. 411, “Holy Trinity,” while the current Lutheran Service Book also has the four-part setting, both (nos. 953, 954) in the Liturgical Music section.
M. Luther composed “Wir glauben all an einem Gott” first as a Trinitarian hymn with its proximity to Johann Walter’s trinitarian litany, “Gott der Vater wohn uns bei” (God the Father, with us be, http://www.lutheran-hymnal.com/german/tlh247g.htm, http://www.lutheranchoralebook.com/texts/god-the-father-be-our-stay/), in Johann Walter’s 1524 hymnal. It is found in the NLGB as a Trinityfest hymn No. 139 (Zahn 8507). J.S. Bach harmonized this BAR chorale as BWV 317 (https://www.youtube.com/watch?v=LIZLBJj0aa4, https://www.youtube.com/watch?v=g4vXsDlcxWA), after designating it in the Orgelbüchlein as a Trinityfest chorale (no. 52, unset). The organ prelude setting, BWV 748, now is attributed to Johann Walther, J.S. Bach Weimar cousin (https://www.youtube.com/watch?v=4yrSHSIKyNw).
J.S. Bach’s Catechism settings of “Wir glauben all an einem Gott,” BWV 680-681, are the centerpiece of his Clavierübung III, placed in the Catechism section after the 10 commandments and preceding the Lord’s Prayer. Thematically the Creed preludes are based on the Gregorian version of Dorian Credo IV from the Catholic Liber usualis. In setting BWV 680, in 2/4 Italian style, “Bach used this beautiful, sweeping and expansive melody for a fugue,” observes says Elsie Fitzer CU liner notes (music, https://www.youtube.com/watch?v=aiVA5wuRalY). The fugal theme and pedal obstinate figure (bars 4-9) established the sense of stability in the believers faith as expressed in the creed, particularly in the Pauline language of “grounded and steadfast’ faith (Colossians 1:23), observes Humphries (Ibid.: 54). Musically, the Italian style of ritornello shape also involves a “striding obstinate bass line without pauses,” showing the influence of J.S. Bach’s Credo section addition to Bassani’s Mass in F (https://www.youtube.com/watch?v=ugwudR48Kzg), says Williams (Ibid.: 412).
Like his study of the Kyrie eleison beginning in Weimar, J.S. Bach systematically pursued the Credo in Leipzig, particularly in the 1740 when he composed the remainer of his “Great Catholic” B Minor Mass. J.S. Bach had the Bassani Masses copied between 1736 and 1740 when he was working on the Clavierübung III. Later, in 1747-1748, he himself composed ex novo the intonation (Credo in unum Deum) for the fifth of these. This brief composition (16 bars in length) in F major for four voices (SATB) and continuo (BWV 1081) follows the style of the collection and introduces the same plainchant intonation that J.S. Bach used in the Symbolum Niceum of his Mass in B minor (BWV 232).
The shortest of the prelude collection, lasting just over one minute, is the “Fughetta super,” BWV 681, in 4/4. The galant dotted rhythm embellishes the first chorale line, in the manner of Buxtehude, to “symbolize God’s almighty power,” says Fitzer (Ibid.), The contrasting Italian style in the flowing cantabile “characterizes faith as an all-embracing entity,” she says.
Source: Luther's Deutsche Messe, Other Liturgical Chorales (William Hoffman, July 21, 2017)

Vocal Works by J.S. Bach:

Chorale Wir glauben all an einen Gott, BWV 437
Ref: RE 133; Br 133; KE 382; Birnstiel 136; AmB 46II p.81; Penzel 105; BGA 184; BC F 211.1

German Text (verses in bold print set by Bach)

English Translation

1. Wir glauben all an einen Gott,
Schöpfer Himmels und der Erden,
Der sich zum Vater geben hat,
Dass wir sein Kinder werden.
Er will uns allzeit ernähren,
Leib und Seel auch wohl bewahren;
Allem Unfall will er wehren,
Kein Leid soll uns widerfahren.
Er sorget für uns, hüt' und wacht;
Es steht alles in seiner Macht.

We all believe in one true God,
Who created earth and heaven,
The Father, who to us in love
Hath the right of children given.
He both soul and body feedeth,
All we need He doth provide us;
He through snares and perils leadeth,
Watching that no harm betide us.
He careth for us day and night,
All things are governed by His might.

2. Wir glauben auch an Jesum Christ,
Seinen Sohn und unsern Herren,
Der ewig bei dem Vater ist,
Gleicher Gott von Macht und Ehren,
Von Maria, der Jungfrauen,
Ist ein wahrer Mensch geboren
Durch den Heilgen Geist im Glauben;
Für uns, die wir warn verloren,
Am Kreuz gestorben und vom Tod
Wieder auferstanden durch Gott.

2. We all believe in Jesus Christ,
His own Son, our Lord, possessing
An equal Godhead, throne, and might,
Source of every grace and blessing.
Born of Mary, virgin mother,
By the power of the Spirit,
Made true man, our elder Brother,
That the lost might life inherit;
Was crucified for sinful m
And raised by God to life again.

3. Wir glauben an den Heilgen Geist,
Gott mit Vater und dem Sohne,
Der all Blöden Tröster heißt
Und mit Gaben zieret schöne,
Die ganz Christenheit auf Erden
Hält in einem Sinn gar eben;
Hie all Sünd vergeben werden;
Das Fleisch soll auch wieder leben.
Nach diesem Elend ist bereit'
Uns ein Leben in Ewigkeit.

3. We all confess the Holy Ghost,
Who sweet grace and comfort giveth
And with the Father and the Son
In eternal glory liveth;
Who the Church, His own creation,
Keeps in unity of spirit.
Here forgiveness and salvation
Daily come through Jesus' merit.
All flesh shall rise, and we shall be
In bliss with God eternally. Amen.

   

Source of German Text: Bach Digital | Hymnary.org | Christliche Gedichte & Lieder | Monarchieliga | Christliche Liederdatenbank (Evangeliums.net) | German Wikipedia | Musicanet
English Translation: Richard Jordan (1742) | Source of English Translation: Manuskript Gesangbuch, Langenols (Musicanet)
Contributed by Aryeh Oron (October 2018)


Chorales BWV 250-438: Details and Recordings
Individual Recordings: Hilliard - Morimur | Chorales - N. Matt | Chorales - H. Rilling | Preludi ai Corali - Quartetto Italiani di Viola Da Gamba
Discussions: Motets & Chorales for Events in the LCY / Chorales by Theme | General Discussions: Part 1 | Part 2 | Part 3 | Part 4 | Chorales in Bach Cantatas: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Passion Chorale
References: Chorales BWV 250-300 | Chorales BWV 301-350 | Chorales BWV 351-400 | Chorales BWV 401-438 | 371 4-Part Chorales sorted by Breitkopf Number | Texts & Translations of Chorales BWV 250-438
Chorale Texts: Sorted by Title | Chorale Melodies: Sorted by Title | Explanation
MIDI files of the Chorales: Cantatas BWV 1-197 | Other Vocal Works BWV 225-248 | Chorales BWV 250-438
Articles: The Origin of the Texts of the Chorales [A. Schweitzer] | The Origin of the Melodies of the Chorales [A. Schweitzer] | The Chorale in the Church Service [A. Schweitzer] | Choral / Chorale [C.S. Terry] | Hidden Chorale Melody Allusions [T. Braatz] | The History of the Breitkopf Collection of J. S. Bach’s Four-Part Chorales [T. Braatz] | The World of the Bach Chorale Settings [W.L. Hoffman]
Hymnals: Hymnals used by Bach | Wagner Hymnal 1697 | Evangelisches Gesangbuch 1995 | Dietel Chorale List c1734
Abbreviations used for the Chorales | Links to other Sites about the Chorales

Texts & Translations: Main Page | Cantatas BWV 1-50 | Cantatas BWV 51-100 | Cantatas BWV 101-150 | Cantatas BWV 151-200 | Cantatas BWV 201-224 | Other Vocal BWV 225-249 | Chorales BWV 250-438 | Geistliche Lieder BWV 439-507 | AMN BWV 508-524 | Other Vocal 1081-1164 | BWV Anh | Chorale Texts | Emblemata | Sources | Poets & Composers
Discussions: Texts: Part 1 | Part 2 | Part 3 | Translations: Part 1 | Part 2 | Part 3 | Part 4




 

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Last update: Saturday, October 20, 2018 04:41