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C-1 |
Bach: Cantate N 189. Meine Seele Ruhmt Und Preist [78 rpm]
Charles Munch: The Art of the Conductor, Vol. 2
Pierre Bernac chante: A. Jolivet, J.S. Bach, L. Beydts, J. de la Presle, F. Poulenc |
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Cantata Meine Seele rühmt und preist, BWV 189, sung in French [16:33] |
Charles Munch |
Orchestre de la Société des Concerts du Conservatoire (Paris Conservatory Orchestra) |
Tenor: Pierre Bernac |
Gramophone DB-5193-5194
A Classical Record ACR-43/44
Dante Productions LYS-514 |
Dec 22, 1941 |
2 x 78 rpm
2-CD / TT: 155:08
CD / TT: 60:18 |
Recorded at Studio Albert or Salle du Conservatoire, Paris, France.
Producer: Ravenet.
Matrix Number: 2LA.3677-3680.
Other releases: Voix de son maître.
1st recording of cantata BWV 189 by P. Bernac.
Listen on YouTube:
Cantata BWV 189: Part 1 [8:09] + Part 2 [8:51]
Buy this album at:
2-CD (1997): Amazon.com | Amazon.co.uk | Amazon.de
CD (1999): Amazon.com |
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Recordings of Other Vocal Works |
V-3 |
J.S. Bach: Johannes-Passion: Ach, Herr, lass' Dein lieb' Engelein (Choral) : Lässest Du diesen los - Weg weg mit dem |
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Johannes-Passion BWV 245 - Nos. 41-44, 68 |
Fritz Münch |
Choir of L'Eglise St. Guillaume, Strasbourg, with orchestra and organ |
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Parlophone O-7775 |
Early 1930’s |
78 rpm |
Recorded at Eglise St. Guillaume, Strasbourg, France., |
V-4 |
J.S. Bach: Johannes-Passion |
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Johannes-Passion BWV 245 [Part I: 0:00; Part II: 45:16] |
Hans Münch |
Basler Gesangsverein / Basler Orchestergemeinschaft |
Tenor [Evangelist, Ari]: Julius Patzak; Baritone [Jesus]: Charles Panzéra; Soprano [Arias]: Maria Stader; Alto [Arias]: Elsa Cavelti; Bass [Arias]: Fritz Mack
Johannes Kuyken & Albert Bertschmann (Viola d'amore); Joseph Bopp (Flute); Alexander Gold & Friedrich Hartmann (Oboe); Friedrich Hartmann & Hubert Fauquex (Oboe d'caccia); August Wenzinger (Viola da gamba); Hermann Woersching (Lute); Eduard Henneberger (Keyboard); Fritz Morel (Organ) |
Basel Cathedral ? |
Apr 18, 1948 |
Audio / TT: 132:54 |
Recorded live at Basel Cathedral, Switzerland.
Kadoguy, who uploaded this recording to YouTube on Mar 6, 2019, wrote: "It enjoys a very unique cast and was apparently recorded originally with two machines of perhaps acetate or something like that, because no take was longer than 5 minutes but each starting about 1 minute before the last ended. So there were some hours of patchwork, but no bar is missing and, thankfully, some folks realized it was worth the time for the immense historic importance and artistic value."
See: Johannes-Passion BWV 245 - conducted by Hans Münch
Listen on YouTube:
Johannes-Passion BWV 245: Complete Work [132:54] |
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