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The German soprano, Ulrike Barth, studied musicology and music pedagogy in Berlin, before concentrating on singing.
Ulrike Barth is regularly invited by ensembles as the RIAS-Kammerchor (Directors: Hans-Christoph Rademann/Justin Doyle), Collegium Vocale Gent (Director: Philippe Herreweghe), Nederlandse Bachvereniging (Directors: Jos van Veldhoven/Shunske Sato), Vocalconsort Berlin (Director: Marcus Creed), or or Athesinus Consort Berlin (Director: Klaus-Martin Bresgott). She also takes part, since her move to Paris in 2013, in projects offered to her by Chœur de Chambre Accentus (Director: Laurence Equilbey), Ensemble Pygmalion (Director: Raphaël Pichon), Les Cris de Paris (Director: Geoffroy Jourdain), Vox Luminis (Director: Lionel Meunier), La Chapelle Harmonique (Director: Valentin Tournet) and Egregor Vocal (French a-cappella ensemble). Many stage productions also mark his artistic career, including Dido & Aeneas and Matsukaze de Sasha Waltz. Her frequent collaborations with conductors such as Philippe Herreweghe, René Jacobs, Marcus Creed, Hans-Christoph Rademann, Iván Fischer and Raphaël Pichon, among others, have taken her on tour around the world. She has very recently joined the Ateliers Misuk . Poitiers, involved in the « Ce À Quoi Nous Tenons » a cappella vocal quartet project.
Ulrike Barth performs regularly as a soloist with ensembles exploring a repertoire ranging from the 16th century to the contemporary period. She sometimes appears in recitals. |
