Introduction | Cantatas | Other Vocal | Non-Vocal | Performers | General Topics | Articles | Books | Movies
Biographies | Texts & Translations | Scores | References | Commentary | Music | Concerts | Bach Tour | Memorabilia
Chorale Texts | Chorale Melodies | Lutheran Church Year | Readings | Poets & Composers | Transcriptions
Search Website | Search Works/Movements | Terms & Abbreviations | Copyright Notice | How to contribute | Links

Short Biographies: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Explanation | Acronyms

Irmgard Seefried (Soprano)

Born: October 9, 1919 - Köngetried, near Mindelheim, Bavaria, Germany
Died: November 24, 1988 - Vienna, Austria

The outstanding German soprano, Irmgard Seefried, received her first music lessons from her father and at the age of 11, three years after her first public appearance, sang Gretel in Engelbert Humperdinck's opera. Later she studied at the Augsburg Conservatory.

Irmgard Seefried made her debut in 1939 (or 1940) at the Aachen Stadttheater as Priestess in Aida. She was engaged for that opera house by Herbert von Karajan. While at Aachen she also sang in performances at the cathedral, under Theodor Rehmann. In 1943 she made her debut at the Vienna State Opera as Eva in Die Meistersinger under Karl Böhm, and then remained a member of the company (1953-1954). She appeared at the Covent Garden Opera in London from 1947 to 1949, and also in Milan (La Scala), Salzburg, Edinburgh, etc. She made her Metropolitan Opera in New York debut in November 1953 as Sussana in Le Nozze di Figaro and appeared there for 1 season (1953-54), in 5 performances and 1 work.

Irmgard Seefried had a very distinctive voice and a totally natural delivery. Her warm tone and appealing personality made her a successful Susanna, Fiodiligi, Eva, and Cleopatra, Giulio Cesare, and she was an admired Lieder singer. She was instrumental in the rediscovery, after the war, of Mozart's Lieder, which had always been disparaged as trifles and Das Veilchen featured in so many of her recital performances. Elisabeth Schwarzkopf, her colleague of many legendary Salzburg Mozart performances of the 1950’s, suggested that everyone, including herself, was a little envious of Seefried for her naturalness. "Singing just came so easily to her."

Irmgard Seefried's recorded repertoire of Schubert songs is quite small, but totally indispensable. The 78’s from the late 1940’s have an unsurpassed beauty and the 1957 Salzburg recital of Goethe settings is a desert island recording.


Source: Mostly from Schubert Singers Website; OPERAlmanc Mailing List (by Walter R. Lonis, October 2004)
Contributed by
Aryeh Oron (May 2001, October 2004)

Recordings of Bach Cantatas & Other Vocal Works

Conductor

As

Works

Under her name

Soprano

Aria from BWV 92

Rudolf Baumgartner

Soprano

BWV 202

Wilhelm Furtwängler

Soprano

BWV 244 (1st Part)

Herbert von Karajan

Soprano

BWV 244

Günther Ramin

Soprano

Selections from BWV 244

Karl Richter

Soprano

BWV 244

Links to other Sites

Irmgard Seefried (Schubert Singers)

Short Biographies: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Explanation | Acronyms

Introduction | Cantatas | Other Vocal | Non-Vocal | Performers | General Topics | Articles | Books | Movies
Biographies | Texts & Translations | Scores | References | Commentary | Music | Concerts | Bach Tour | Memorabilia
Chorale Texts | Chorale Melodies | Lutheran Church Year | Readings | Poets & Composers | Transcriptions
Search Website | Search Works/Movements | Terms & Abbreviations | Copyright Notice | How to contribute | Links

Back to the Top


Last update: ýMay 26, 2008 ý00:26:15