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Anthony Rolfe-Johnson (Tenor)

Born: November 5, 1940 - Tackley, England

One of England's most distinguished singers, Anthony Rolfe-Johnson was a student of Ellis Keeler at the Guildhall School of Music in London, and later of Vera Rosza. He gained experience singing in the chorus and appearing in small roles at the Glyndebourne Festival between 1972 and 1976. In 1973 he made his formal operatic debut with the English Opera Group in Iolante. In 1978 he made his first appearance with the English National Opera in London as Don Ottavio.

Anthony Rolfe-Johnson's schedule includes concerts with the major orchestras and festivals in UK and in the leading European capitals. In America, he has sung with the Chicago Symphony Orchestra under Georg Solti, the Boston Symphony under Seiji Ozawa, the New York Philharmonic under Rostropovitch, and the Cleveland Orchestra under Rattle. Conductors with whom he has worked also include Giulini, Nikolaus Harnoncourt, Rostdestvensky, John Eliot Gardiner, Tennstedt, Boulez, Kurt Masur, Haitink and Claudio Abbado.

Anthony Rolfe-Johnson has a vast range of recordings to his name, reflecting his worldwide reputation as an interpreter of Bach, Händel, Haydn, Mozart and Britten. He has been acclaimed for his recordings of the great Händel oratorios, the Evangelist in both the St John Passion (BWV 245) and the St Matthew Passion (BWV 244), and many award-winning recordings including Haydn's Die Jahreszeiten and Die Schöpfung, Mozart's Die Zauberflöte, Idomeneo and La Clemenza di Tito, and Britten's War Requiem. He has recently recorded the title roles in Oedipus Rex under Welser-Möst for EMI, in Samson under Nikolaus Harnoncourt for Teldec and in Peter Grimes under Haitink for EMI; Tom Rakewell (The Rake's Progress) under Seiji Ozawa for Philips; Florestan under Charles Mackerras for Telarc and Captain Vere (Billy Budd) under Nagano for Erato.

Anthony Rolfe-Johnson has appeared with all the major opera companies in Britain since his debut at the Glyndebourne Festival as Fenton (Falstaff); he sang Albert Herring for the English Opera Group; Don Ottavio, Tamino, Ferrando and Belmonte, Essex (Gloriana), the Male Chorus (The Rape of Lucretia, Florestan, and the title roles in Monteverdi's Ulysses and Orfeo for the English National Opera; Jupiter (Semele) and Oronte (Alcina) for the Royal Opera House, Covent Garden. At the Monnaie in Brussels he sang his first Pelléas; at La Scala, Milan, the title role in Mozart's Lucio Silla and he is a regular guest with the Netherlands Opera with whom he travelled to New York to sing the title role in Il ritorno d'Ulisse in patria.

Anthony Rolfe-Johnson sang his first Aschenbach in 1983 in a joint production of Britten's Death in Venice, mounted by the Geneva Opera and Scottish Opera, and he has subsequently sung the role at the Metropolitan Opera New York. In 1991 he sang Idomeneo at the Salzburg Festival under Seiji Ozawa, at the Vienna State Opera under Nikolaus Harnoncourt and the Metropolitan Opera, New York under James Levine. In 1994 he sang his first Peter Grimes on stage, with Scottish Opera, at the Glyndebourne Festival, and then at the Metropolitan Opera New York. In 1996 he made his Paris Opera debut as Idomeneo. He recently appeared as Don Ottavio at Covent Garden, Tito at the Metropolitan Opera, New York, and Peter Grimes in Munich. Future engagements include the Missa Solemnis with the Berlin Phiharmonic Orchestra under James Levine and with the New York Philharmonic Orchestra under Kurt Masur. Future operatic engagements include Peter Grimes in Tokyo and at the Savonlinna Festival, Ulisse in Amsterdam and Peter Quint in Brussels.

Anthony Rolfe-Johnson was a founder member of Graham Johnson's The Songmakers' Almanac.

Anthony Rolfe-Johnson was awarded a CBE in the 1992 Queen's Birthday Honours.


Source: Hyperion Website (January 1998); Baker’s Biographical Dictionary of 20th Century Classical Musicians (1997)
Contributed by
Aryeh Oron (May 2001)


Recordings of Bach Cantatas & Other Vocal Works

Conductor

As

Works

Michel Corboz

 Tenor

BWV 232, BWV 243, BWV 244

John Eliot Gardiner

 Tenor

BWV 11, BWV 36, BWV 37, BWV 43, BWV 61, BWV 62, BWV 106, BWV 140, BWV 147, BWV 198
BWV 243, BWV 244, BWV 245, BWV 248

Nikolaus Harnoncourt

 Tenor

BWV 245

Robert King

 Tenor

BWV 232

Georg Solti

 Tenor

BWV 244

Links to other Sites

Anthony Rolfe Johnson – tenor (Hyperion)


Short Biographies: A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | Explanation | Acronyms

Introduction | Cantatas | Other Vocal | Non-Vocal | Performers | General Topics | Articles | Books | Movies
Biographies | Texts & Translations | Scores | References | Commentary | Music | Concerts | Bach Tour | Memorabilia
Chorale Texts | Chorale Melodies | Lutheran Church Year | Readings | Poets & Composers | Transcriptions
Search Website | Search Works/Movements | Terms & Abbreviations | Copyright Notice | How to contribute | Links

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Last update: ýFebruary 9, 2005 ý17:23:45