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The American conductor and writer on Music, Robert (Lawson) Craft, studied at the Juilliard School of Music in N.Y. (B.A., 1946) and the Berkshire Music Center in Tanglewood. He also took courses in conducting with Monteux.
In 1947 Robert Craft conducted the New York Brass and Woodwind Ensemble. He was conductor of the Evenings-on-the-Roof and the Monday Evening Concerts in Los Angeles (1950-1968). He became particularly interested in early music by the likes of Claudio Monteverdi and Heinrich Schütz, and contemporary music by the composers of the Second Viennese School and others.
A decisive turn in Robert Craft’s career was his encounter with Stravinsky in 1948, whom he greatly impressed by his precise knowledge of Stravinsky's music; gradually he became Stravinsky's closest associate. He was also instrumental in persuading Stravinsky to adopt the 12-tone method of composition, a momentous turn in Stravinsky's creative path. He collaborated with Stravinsky on 6 vols. of a catechumenical and discursive nature: Conversations with Igor Stravinsky (N.Y., 1959); Memories and Commentaries (N.Y., 1960); Expositions and Developments (N.Y., 1962); Dialogues and a Diary (N.Y., 1963); Themes and Episodes (N.Y., 1967); Retrospections and Conclusions (N.Y., 1969). Resentful of frequent referral to him as a musical Boswell, Craft insists that his collaboration with Stravinsky was more akin to that between the Goncourt brothers, both acting and reacting to an emerging topic of discussion, with Stravinsky evoking his ancient memories in his careful English, or fluent French, spiced with unrestrained discourtesies toward professional colleagues on the American scene, and Craft reifying the material with an analeptic bulimia of quaquaversal literary , psychological, physiological, and culinary references in a flow of finely ordered dialogue.
Robert Craft has conducted most of the world's major orchestras in the USA; (New York Philharmonic, Philadelphia Orchestra, Chicago Symphony, Cleveland Orchestra, San Francisco, Los Angeles, St. Louis, Minneapolis), Canada, Europe, Russia, Japan, Korea, Mexico South America, Australia, and New Zealand. He is the first American to have conducted Alban Berg's Wozzeck and Lulu. He led the world premieres of Stravinsky's later masterpieces: Von Himmel hoch, Agon, The Flood, Abraham and Isaac, Variations (Chicago Symphony), Introitus, and Requiem Canticles.
Within his career to date Robert Craft is a two-time recipient of the prestigious Grand Prix du Disque, as well as the Edison Prize for his recordings of music by Varese and Stravinsky.
Robert Craft’s other publications include Prejudices in Disguise (N.Y., 1974); Stravinsky in Photographs and Documents (with Vera Stravinsky; London, 1976; N.Y., 1978); Current Convictions: Views and Reviews (N. Y., 1977); Present Perspectives (N.Y., 1984); Stravinsky: Glimpses of a Life (N.Y., 1992). He also translated and edited Stravinsky, Selected Correspondence {2 vols., N.Y., 1982, 1984). |
