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Piano Transcriptions:
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Hewitt Bach arrangements
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A-1 |
Bach Arrangements |
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Bach-d'Albert: Passacaglia in C minor, BWV 582, transcribed for piano [11:45] |
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Angela Hewitt (piano) |
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Hyperion |
Apr 2001 |
CD / TT: 69:57 |
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Recorded at Henry Wood Hall, London, England. |
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Peter Bright wrote (August 15, 2001):I have recently purchased Angela Hewitt's Hyperion CD of Bach arrangements for piano (including those by Wilhelm Kempff (5), Mary Howe (1), the obligatory Myra Hess (1), Lord Berners (1), William Walton (1), John Ireland (1), Herbert Howells (1), Harriet Cohen (1), Harold Bauer (1), Eugen d'Albert (1) and Hewitt herself (3). Fellow members have sometimes found Hewitt's Bach to be rather timid, with insufficient gravitas in places. I think she must be aware of such criticism as, on this disc, she hammers the message home in places (Passacaglia in C minor, Sinfonia in D major - (cantata BWV 29)). I don't mean this in a negative way - her playing in the main is really quite thrilling. The Kempff transcriptions (apart from track 1 which is disappointing) are particularly well played - at least one of these pieces was released a year or two ago in the Busoni flavour by Perahia (Wachet auf, ruft uns die Stimme, BWV 645). Hewitt plays it very differently to Perahia - where he is measured and controlled in volume and tempo, she is far more variable in her approach throughout the piece. The most famous pieces are "Sheep may safely graze (cantata BWV 208)" and "Jesu joy.." (BWV 147). I have always found Hess's adaptation from BWV 147 rather austere but I had not heard the former movement adapted for piano (by Mary Howe). Very beautiful - It incorporates the preceding recitative into the piece before gently launching into the melody we know so well. All in all, a terrific, refreshing and highly listenable experience. Ironically, Gramophone, champion of all things Hewitt, gave it a rather lukewarm appraisal - I'd say they've got their knickers in a twist. Give it a test drive and I'm confident that you'll make the purchase. BUT, the first selection is the weakest - I tend to program my CD player to start at track 2, the gorgeous Siciliano in G minor (from flute sonata in E flat (BWV 1031). |
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Piano Transcriptions:
Composer/Arranger: A | B
| C | D | E
| F | G | H
| I | J | K
| L | M | N
| O | P | Q
| R | S | T
| U | V | W
| X | Y | Z |
Last update: ýFebruary 2, 2008 ý15:45:31