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Martin Agricola (Composer, Theorist)
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Born: c1500 - Sorau, Lower Silesia, Germany |
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Martin [Martinus] Agricola was a German writer on musical theory, whose German name, as he himself tells us, was Sohr, or Sore. |
Duo libri murices (1561); Ein kurtz deutsche Musica (1528); Musica instrumentalis deudsch (1529, 1530, 1532, 1542, 1545); Musica figuralis deutsch (1532); Von der proportionibus (c1532); Rudimenta musices (1539). |
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The list of the rest will be found in Draudius' Bibliotheca Classica, p. 1650; Walther's Lexikon; Marpulrg's Beiträge, voL v.; Forkel's Literature; Gerber's Dictionary; and Q.-L. Mattheson in his Ephorus (p. 124) praises him for having been the first to abolish the 'ancient tablature,' and adopt the system of notation which we still employ. But this is inaccurate. All that Agricola proposed was a new 'tablature ' for the lute, better than the old one. On the conflict between the old and new notation Agricola's writings are full of interest, and they must be studied by every one who wishes to have an accurate view of that revolution. |
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Source: Grove’s Dictionary of Music and Musicians (1952 Edition, Author: D. Franz Gehring) |
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Use of Chorale Melodies in his works |
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Title |
Chorale Melody |
Year |
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Ach Gott, vom Himmel sieh darein, 4-pt. motet-like setting |
1544 |
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Links to other Sites |
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Bibliography |
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Last update: ýJanuary 30, 2008 ý12:02:20