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Bach-I. Atkins
Arrangements/Transcriptions of Bach's Works by Ivor Arkins |
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Contents |
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Arrangements/Transcriptions: Works
Arrangements/Transcriptions: Links
Recordings of Arrangements/Transcriptions |
Ivor Atkins - Short Biography |
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Works |
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Work |
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Editions of Vocal Works |
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Psalm CXXI: I will lift up mine eyes unto the hills : a cantata for chorus and orchestra, BWV 37, arranged by Ivor Atkins and J. Michael Diack (originally scored for 2 oboi d'amore, strings and organ; arranged for piano or organ accompaniment)
[Edinburgh: Paterson's, 1925] |
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1925 |
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Come, redeemer of our race (Nun Komm, der Heiden Heiland): Cantata for soprano, tenor, and bass soli, chorus and orchestra, BWV 61, edited for the Worcester Festival, 1905, by Ivor Atkins. The English version by B.M. Craster
[London: Novello and Company; New York: Novello, Ewer and Co., 1905] |
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1905 |
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The Lord is a sun and shield = (Gott, der Herr, ist Sonn' und Schild) : cantata for soprano, alto, and bass soli, chorus and orchestra, BWV 79: composed for the Leipzig Reformation Festival of 1735, edited for the Worcester Festival, 1902, by Ivor Atkins (accompaniment arranged for piano; English words; by M.E. Butler).
[London: Novello; New York: H.W. Gray, sole agents for U.S.A., 1902] |
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1902 |
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Ready be, my soul, alway = Mache dich, mein Geist, bereit : cantata for the twenty-second Sunday after Trinity, for solo voices, chorus and orchestra, cantata BWV 115, edited by Ivor Atkins ; English text by Charles Sanford Terry.
[London: Novello, 19--] |
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19__ |
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Viva! Praise and Honour. Choral Wedding Postlude (Der zufriedengestellte Aeolus. Vivat, vivat August, BWV 205). Arrangement of organ [accompaniment] by I. Atkins
[Glasgow: Paterson's Publications, London, 1926] |
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1926 |
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The Passion of Our Lord according to S. Matthew, BWV 244, edited by Edward Elgar and Ivor Atkins with English text (revised in 1938 by Ivor Atkins)
[London: Novello; New York: H.W. Gray, sole agents for the USA, 1911] |
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1911 |
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The passion of our Lord according to Saint John, BWV 245, the verse numbers translated into English by Dr. T.A. Lacey; edited by Ivor Atkins.
[London: Novello; New York: H.W. Gray Co., sole agents for the USA., 1929] |
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1929 |
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Jesus, Saviour, I am thine. Aria ..., edited by Edward Elgar and I. Atkins.
[London : Novello and Co, 1931] |
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1931 |
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The Lord is a sun and shield. Cantata for soprano, alto and bass soli, chorus and orchestra
[London: Novello, c1902] |
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1902 |
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Jesus sleeps, what hope remaineth? (Jesus schläft, was soll ich hoffen) Cantata for alto, tenor, and bass soli, chorus, and orchestra, BWV 81, edited for the Hereford Festival, 1903, by Ivor Atkins.
[London, Novello [190-?] |
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1903 |
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The chorales used in the organ works of Bach : together with one or more verses of the originals and an English translation, the harmonizations mainly drawn from the cantatas of J.S. Bach; edited by Ivor Atkins
[London: Novello ; New York : H.W. Gray, 1923?] |
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1923? |
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Vocal Works arranged from Bach Cantatas |
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The hundredth Psalm. For semi-chorus, chorus and orchestra, This psalm is composed of four movements from cantatas by Bach. No. 1 is from Cantata BWV 195; nos. 2 and 4 from Cantata BWV 130; no. 3 from Cantata BWV 30, arranged by Ivor Atkins and J. Michael Diack.
[Glasgow, London, Paterson Sons & Co., 1924] |
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1924 |
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Psalm CXXI, for SATB chorus and semi-chorus and orchestra, adapted from Bach's cantatas BWV 37 and BWV 71, arranged by Ivor Atkins and J. Michael Diack
Instrumentation: 2,2,0,1 - 0,3,0,0 - timp - str
[Glasgow: Paterson, 1925]
[Carl Fischer Inc.] |
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1925 |
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Links |
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Prepared by Aryeh Oron (July 2011)
Thanks to contributors: Aggelos Tsompanidis (May 2011) |
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Ivor Atkins : Short Biography | Arrangements/Transcriptions: Works | Recordings |
