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The Spanish soprano, Margarita Rodríguez, has a degree in Biology and a degree in Biochemistry from the UIB and is also a graduate in Singing from the ESCM in Madrid.
Margarita Rodríguez has worked with conductors such as William Christie, Masaaki Suzuki, Andrew Litton, Arturo Tamayo and Martin Fischer-Dieskau. In the symphonic field, she has recently debuted Gustav Mahler's Symphony No. 4 with the Orquesta SMR and Nielsen's Symphony No. 3 with the Orquesta Sinfónica de Galicia. In recent years he has gained great recognition as an oratorio performer with works such as George Frideric Handel's Messiah, J. Haydn's Die Schöpfung, W.A. Mozart's Exsultate Jubilate and Krönungsmesse, Felix Mendelssohn's Elijah, and F. Schubert's Lazarus, among others. In addition, she frequently performs at prestigious international festivals such as the Semana de Música Religiosa de Cuenca, FIAS Madrid and Festival de Música Sacra Antigua y Sacra de Getafe. In the operatic field, she has debuted roles such as Pamina, Musetta, Oriana, Belinda, Rowan, Gretel and Sacerdotessa, and has also performed the role of l'Angelo in the world premiere of the opera Il Giardino della Vita by J.M. Sánchez-Verdú. At the same time, she has offered concerts for entities such as the Fundación Juan March, Juventudes Musicales España, Joven Orquesta Nacional de España and Auditorio Nacional de Música, together with the Orquesta y Coro Nacionales de España.
On the other hand, Margarita Rodríguez has extensive experience in performing 20th century repertoire, such as Pierrot Lunaire by Arnold Schoenberg and Folksongs by Luciano Berio, and also contemporary premiere repertoire, such as the symphony The improvised history of the world by P. Klica and the cantatas Sacerdos et Pontífex and Sancti Petri Apostoli by D. León. In addition, he has been part of the latest edition of EposLab, a long-standing project in the field of creation and research into the music-word relationship, performing the premiere works Lo grotesco (and now listen, inside) by S. Blardony and Kelaia by J.M. Sánchez-Verdú. |
